Sara Lehn is thinking and working from Berlin – sometimes as part of a group that reperforms radio, as one of three whose clip represents the initiative 'NSU-Komplex auflösen' in Cannes or as a self-taught radio pirate in an art context. Be it in film, performance, installation or text: since 2012, the ears have played an increasingly important role in her practice. Listening properly and to stop listening in time requires constant practicing.
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